solipsistic NATION No. 137: Blackfilm
solipsistic NATION No. 137: Blackfilm
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This week on solipsistic NATION we have a special mix from Spectraliquid recording artist, Blackfilm!
As usual I first heard about Blackfim through HC’s Headphone Commute blog. HC and I have similiar taste in music but HC always seems to be one step ahead of me in finding albums that are spectacular. HC praised Blackfilm’s self-titled CD on Spectraliquid. My curiosity was already aroused but when HC said that Blackfilm defibrillates Amon Tobin‘s pioneering sound I knew I had to hear Blackfilm’s album.
Blackfilm’s music is unique, with an arcane sound that I don’t know exactly how to describe. Spooky, eldritch, almost as if Blackfilm had set out to score music for the Kafkaesque stop-motion animated films of the Brothers Quay. To quote HC quoting from Emmanuel Top‘s Turkish Bazaar single: “The music was new, black, polished chrome and came over the summer like liquid night.” Once Blackfilm’s music is inside your head it will infect and you will never want to be cured.
As usual I first heard about Blackfim through HC’s Headphone Commute blog. HC and I have similiar taste in music but HC always seems to be one step ahead of me in finding albums that are spectacular. HC praised Blackfilm’s self-titled CD on Spectraliquid. My curiosity was already aroused but when HC said that Blackfilm defibrillates Amon Tobin‘s pioneering sound I knew I had to hear Blackfilm’s album.
Blackfilm’s music is unique, with an arcane sound that I don’t know exactly how to describe. Spooky, eldritch, almost as if Blackfilm had set out to score music for the Kafkaesque stop-motion animated films of the Brothers Quay. To quote HC quoting from Emmanuel Top‘s Turkish Bazaar single: “The music was new, black, polished chrome and came over the summer like liquid night.” Once Blackfilm’s music is inside your head it will infect and you will never want to be cured.
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