For five years, Sam Faulkner photographed 19th century reenactors for his Unseen Waterloo project. In this conversation, we talk about Sam's transition from combat photojournalist to fine art photographer and how the Waterloo project came about. NOTE: There are a couple spots in the conversation where you may notice some mic noise on Sam’s end—it sounds like the shuffling of papers. There’s such great conversation around it that I’ve attempted to minimize it as much as possible in lieu of simply removing it. I hope it’s not too much of a distraction.
