The second of Alfred Hitchcock's films made directly under David O. Selznick, 1945's Spellbound is markedly more Hitchcockian than Rebecca, though honestly not as Hitchcockian as George Sluizer's The Vanishing. It also seems to be out to prove Haxan right about the contemporary state of psychology. But there is a dream sequence designed by Salvador Dali which is a total treat.
