I'm not sure why Klaus preferred to do this album under the pseudonym of Richard Wahnfried, but my guess is that "Wahnfried" is more of a collective name for the entire project - on here, Arthur Brown, carried over from Dune, becomes a full-fledged participant, and the two are also joined by keyboardist Vincent Crane, Brown's old colleague (from Crazy World of A.B.), and ex-Atomic Rooster founding member too. And the resulting album is seriously different from standard Schulze material, even if that doesn't necessarily mean better.
