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Cut & Paste: For Kat Reynolds, photography is about creating trust and being ‘super-present’

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Cut & Paste: For Kat Reynolds, photography is about creating trust and being ‘super-present’

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Cut & Paste: St. Louis' LGBTQ film festival marks 10 years of history and 'magic'

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Cut & Paste: Artists to St. Louis’ next mayor: Show us the money and the love

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Cut & Paste: Artists to St. Louis’ next mayor: Show us the money and the love

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Cut & Paste: From coming out to staying safe, Charis has sung about tough issues since 1993

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Cut & Paste: Activist Elizabeth Vega is outspoken about Art House and her house arrest

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Cut & Paste: What constitutes censorship in art — and how it affects artists and the community

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Cut & Paste: What constitutes censorship in art — and how it affects artists and the community

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St. Louis improv artists wing their way through this Cut & Paste episode

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Cut & Paste: A year of beatboxers, Baptist influence and that controversy at CAM

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Cut & Paste: These two poets are generations apart but they both envision a better St. Louis

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Cut & Paste: Famous St. Louis father and daughter beatboxers swap sounds and stories

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Cut & Paste: Edo Rosenblith's 'Supper Club’ samples mess of food, family and conversation

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Cut & Paste: Cancer, love and loss are perfect storm for Amy Reidel’s 'Radar Home'

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Cut & Paste: Fight over Kelley Walker exhibit simmers in St. Louis and in couple's relationship

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Cut & Paste: Tesseract Theatre asks: ‘Am I Black Enough Yet?’ and everyone's in on it

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Cut & Paste podcast: A look back on 5 years of Fringe with departing founder Em Piro

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Cut & Paste: Would dancer Katherine Dunham have joined Black Lives Matter? Historian says yes

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Cut & Paste: Treasure Shields Redmond targets injustice with notes of church hymns, hip-hop

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