"I really liked both the rhythmical nature of the original recording and the space in-between the sounds. I always like investigating the sounds captured in the spaces on field recordings as it can bring some really interesting textures. I used both these textures and various effected versions of the camera clicks to build up various loops and sequences before adding synths and drums and building up the arrangement from there."
This is part of the Obsolete Sounds project, the world’s biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds
