"A bit of a departure for me - something of an academic exercise in sound manipulation. A musician neighbour recently introduced me to "granular synthesis" and, as a result, all of the audio in the piece (bar the poem and a little vinyl surface noise fx at the very end) originates in the field recording.
"This was then processed via "granular" software and various Garage Band filters. Reading by Jemma Blythe c/o librivox.com."
