The sequel to SPACED WAY OUT, TOO SPACED OUT addresses the distance in between, rather than an abstracted outer space.
Exploring the finite as opposed to the infinite, this mix focuses on the personal limits one discovers through reflection, rather than the multitude of possibilities presented by projection. When looking into opposing mirrors creating the illusion of a tunnel we are simultaneously made aware of the potential for a theoretically endless expanse and the physical impossibility of this idea. Similarly does love convex and concave, expand and contract. It makes us aware of the closeness of dreams, yet as we magnify these we discover imperfection and flaw. We come to understand better our capacities as people and the role our weaknesses - as well as our strengths - play in our relationships. I composed this mix of contemplative classics with the theme of reflective limitation expressed by a decrease in tempo over its course, rather than embracing my tendency to speed up.
