Thirteen posted a nice interview with Jonathan Marmor about his music, which we've had the pleasure of performing. This bit caught my eye:In 1997 I downloaded a free trial copy of Noteworthy Composer, music notation software that appeared to be written by people who had a very strange and seemingly faulty conception of how music behaves. It could be used as a sequencer triggering the amazing Roland Sound Canvas GM/GS Sound Set that came built in as a part of Windows (think pan flutes and steel pans). Noteworthy Composer had some unusual capabilities, which I exploited: the tempo could be set to dotted half note equals 750 beats per minute, you could write 128th notes, and you could change the tempo at any point abruptly or gradually; the pitch of each track could be tuned to 8192 divisions of a half step and could be changed on the fly; individual tracks could contain loops of any duration that did not affect the other tracks and loops could be nested. I made roughly 1000 little studie
