Floating between two points on a Möbius strip hovers two red/white stereo cables. Their sources are just as elusive as their destinations, yet they tangle one another in orderly knotted vigor, only leaving traces of frayed wire and singed plastic to waft over an ongoing battleground of minimalism and maximalism. In a world dominated by Track ID requests, Frequency Domain wants to question if skewing the tangibility of a song being played makes it that much more memorable?
