Polemic, politics, mouth jazz and spontaneous music with Ben Watson. This week: Ben presents an hour of absolute music constructed from tracks recorded by Dogstar on synth last November in Aldershot, with guitar and piano recorded by Out To Lunch in order to accompany soundtracks so weirdly obscene and personal they may never see the light of day. "To Be Invisible" is the case of inevitable insertionism which marks half time and the end of the show, a track from Curtis Mayfield's Sweet Exorcist (Curtom, 1974) covered by Gladys Knight for Buddah Records in 1974, two of the greatest voices in the history of your lifetime, comrades.
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