A ready-made composition of moonlight in the company of objects found in the
mind’s eye. Detached figures of significant contrast merge with hyperbolic waves
of white furrows.
The accidental evocations of the undercurrent as silent evidence, convincing
illusions of our interior and their exterior. An apparent shift in the position
of stationary instrumentation occurs as semblances of life blare awake.
We walk along the rotation of the world, reality is only momentary.
Originally conceived and shown as an acousmatic sound installation, dusk
–––––––––– dawn invites the audience to listen to a city from dusk to dawn by
embodying a figure who wanders from one acoustic encounter to another. What
happens to the urban soundscape once its human population is asleep? Putting the
emphasis on the little heard sounds of a city, this field recording compositio...
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