We look at the differing contexts for the high pitched female voice in Japan and
Asia as well as the west.
For example, female voice actors play a wider array of genders than here in the
west, however the high pitched female voice seems to still be a common tool for
expressing femininity.
Additionally we look into the "genderless" phenomenon in asian countries, such
as the all-male "genderless" Japanese band XOX (kiss hug kiss), and FFC Acrush
from China.
