Kristin Oppenheim produces vocal works not as a musical artist, but for
exhibition. Her works are repetitious, consisting of looped recordings of her
own voice panned from left to right so as to sweep across the gallery,
saturating exhibition spaces with narratives touching on memory or dreamlike
states, often using the physicality of sound to underscore a tension between the
absence and presence of the voice. A fascination with psychological moods,
storytelling and theatrical performance permeates her work as expressed in both
audio and visual media. Her work has been the subject of solo exhibitions at the
Secession, Vienna (2015), KIASMA Museum of Contemporary Art, Helsinki (2003),
San Francisco Museum of Modern Art (2002), and The Jewish Museum, New York
(1997), among others; and is in such collections as The Whitney Museum of
American Art, FRAC Pays de la Loire, and Centre Pompidou.
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